Afrobeats

Afrobeats
Nau'in kiɗa
Bayanai
Ƙaramin ɓangare na pop music (en) Fassara da music of West Africa (en) Fassara

Afrobeat (kada a rikita shi da Afrobeat ko Afroswing ) kalma ce ta laima don bayyana shahararren kiɗa daga Yammacin Afirka da diaspora wanda ya fara tasowa a Najeriya, Ghana, da Burtaniya a cikin 2000s da 2010s. Afrobeats ba shi da salon da kansa, kuma ya fi mai bayyanawa don haɗakar sautunan da ke gudana daga Najeriya. ''i irin su Hipplife, jùjú music, highlife da naija beats, da sauransu, an haɗa su a ƙarƙashin laima na "Afrobeats".[1][2][3][4]


Ana samar da Afrobeats da farko a Legas, Accra, da Landan. Masanin tarihi da al'adu Paul Gilroy yayi tunani game da sauye-sauyen yanayin kiɗa na Landan sakamakon sauye-shiryen yawan jama'a:[5]

Muna motsawa zuwa ga mafi yawan Afirka wanda ya bambanta a cikin al'adun al'adu da kuma alaƙar da yake da ita ga mulkin mallaka da mulkin mallaka, don haka ana buƙatar sanya canjin daga mulkin Caribbean a cikin wannan yanayin. Yawancin mutanen da ba su da kyau yara ne na Afirka, ko dai 'ya'yan baƙi ko kuma baƙi da kansu. Ba a san abin da Afirka zata iya nufi a gare su ba.

A cikin littafinsa na baya, The Black Atlantic, Gilroy ya ki amincewa da ra'ayin cewa al'adun Black da kiɗa na iya ɗaurewa zuwa yanki ɗaya (Gilroy 16 ). Afrobeats ya zama misali na wannan haɗin kai a matsayin nau'in kasa da kasa wanda yanzu ke samun kulawa ta duniya. David Drake rubuta musamman game da shahararren kiɗa na Najeriya kuma ya lura cewa "Yin amfani da abubuwan da ke faruwa daga Amurka, Jamaica, da Trinidad, suna sake tunanin tasirin diasporic kuma - sau da yawa fiye da ba - gaba ɗaya sake kirkirar su" (Drake [6]).

Afrobeats

sun fara samun karbuwa a duniya a ƙarshen shekarun 2010, tare da masu zane-zane da suka sami nasara a duk faɗin Afirka, Turai, da Arewacin Amurka. mayar da martani, an kira shi daya daga cikin 'mafi girman al'adun' ko 'musical' fitarwa na Afirka.[7][8]

  1. "The Evolution of Afropop". Red Bull (in Turanci). Archived from the original on 2019-08-24. Retrieved 2019-08-24.
  2. Adu-Gilmore, Leila (2015). "Studio Improv as Compositional Process Through Case Studies of Ghanaian Hiplife and Afrobeats". Critical Studies in Improvisation (in Turanci). 10 (2). doi:10.21083/csieci.v10i2.3555. ISSN 1712-0624.
  3. "Afropop Worldwide | Jesse Shipley, Part 1: Pan Africanism and Hiplife". Afropop Worldwide (in Turanci). Archived from the original on 2019-08-25. Retrieved 2019-08-25.
  4. "Sound Culture Fest's Afro-Caribbean Rhythm Mission: 'This Goes Deep Into Roots'". www.villagevoice.com. September 2015. Archived from the original on 2019-08-25. Retrieved 2019-08-25.
  5. Hancox, Dan. "It's Called Afrobeats And It's Taking Over London". Vice. Archived from the original on 2019-12-09.
  6. Drake. "Pop Music's Nigerian Future". Fader. Archived from the original on 22 August 2019. Retrieved 22 August 2019.
  7. Al Jazeera Staff. "Q&A: Afrobeats is 'one of Africa's biggest cultural exports'". www.aljazeera.com (in Turanci). Retrieved 2023-07-22.
  8. "The story behind West Africa's huge musical export". Red Bull (in Turanci). 2020-03-12. Retrieved 2023-07-22.

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