Back Estupa d'Amaravati Catalan Stupa d'Amaravati French अमरावती कला Hindi အမရဝတီစေတီတော် Burmese අමරාවතී ස්තූපය Singhalese அமராவதி பௌத்த தொல்லியல் களம் Tamil అమరావతి స్తూపం Tegulu อมราวตีสถูป Thai
| Amaravati Stupa | |
|---|---|
 Depiction of the stupa, from the site | |
| Location | Amaravathi, Andhra Pradesh, India |
| Coordinates | 16°34′31″N 80°21′29″E / 16.5753°N 80.3580°E |
| Height | originally perhaps 73 m (241 ft) |
| Built | 3rd Century BCE |
  Location of Amaravati Stupa in India  Amaravati Stupa (Andhra Pradesh) | |
Amarāvati Stupa is a ruined Buddhist stūpa at the village of Amaravathi, Palnadu district, Andhra Pradesh, India, probably built in phases between the third century BCE and about 250 CE. It was enlarged and new sculptures replaced the earlier ones, beginning in about 50 CE.[1] The site is under the protection of the Archaeological Survey of India, and includes the stūpa itself and the Archaeological Museum.[2]
The surviving important sculptures from the site are now in a number of museums in India and abroad; many are considerably damaged. The great majority of sculptures are in relief, and the surviving sculptures do not include very large iconic Buddha figures, although it is clear these once existed. The largest collections are the group in the Government Museum, Chennai (along with the friezes excavated from Goli), that in the Amaravati Archaeological Museum, and the group in the British Museum in London. Others are given below.[3]
Art historians regard the art of Amaravati as one of the three major styles or schools of ancient Indian art, the other two being the Mathura style, and the Gandharan style.[4] Largely because of the maritime trading links of the East Indian coast, the Amaravati school or Andhra style of sculpture, seen in a number of sites in the region, had great influence on art in South India, Sri Lanka and South-East Asia.[5]
Like other major early Indian stupas, but to an unusual extent, the Amaravarti sculptures include several representations of the stupa itself, which although they differ, partly reflecting the different stages of building, give a good idea of its original appearance, when it was for some time "the greatest monument in Buddhist Asia",[6] and "the jewel in the crown of early Indian art".[7]
- ^ Shimada, 74
- ^ "Archaeological Museum, Amaravati - Archaeological Survey of India".
- ^ PDF List from the BASAS Project
- ^ Pal, Pratapaditya (1986). Indian Sculpture: Circa 500 B.C.-A.D. 700. Los Angeles County Museum of Art. p. 154. ISBN 978-0-520-05991-7.
- ^ Rowland, 210
- ^ Harle, 35
- ^ Harle, 34