Angel of the North

Angel of the North
Above: Front view. Below: Rear view within the surrounding landscape.
Location within Tyne and Wear
General information
Type	Artwork
Location	Lamesley, Gateshead, NE9
Coordinates	54°54′51″N 1°35′22″W / 54.9141°N 1.5895°W / 54.9141; -1.5895
Elevation	75 metres (246.1 ft)
Construction started	1994
Completed	15 February 1998
Cost	£800,000 (equivalent to about £1,780,000 in 2023)
Height	20 metres (65.6 ft)
Dimensions
Weight	208 tonnes
Other dimensions	54 metres (177 ft) wing span 6.2 metres (20 ft) wing height at shoulder
Technical details
Material	Weathering steel
Design and construction
Architect(s)	Antony Gormley
Structural engineer	Ove Arup & Partners
Main contractor	Hartlepool Steel Fabrications

The Angel of the North is a contemporary sculpture by Antony Gormley, located in Gateshead, Tyne and Wear, England. Completed in 1998, it is believed to be the largest sculpture of an angel in the world and is viewed by an estimated 33 million people every year due to its proximity to the A1 and A167 roads and the East Coast Main Line.^[1][2] The design of the Angel, like many of Gormley's works, is based on Gormley's own body. The COR-TEN weathering steel material gives the sculpture its distinctive rusty, oxidised colour. It stands 20 metres (66 ft) tall with a wingspan of 54 metres (177 ft). The vertical ribs on its body and wings act as an external skeleton which direct oncoming wind to the sculpture's foundations, allowing it to withstand wind speeds of over 100 miles per hour (160 km/h).

The sculpture was commissioned and delivered by Gateshead Council who approached Gormley to be the sculptor. Although initially reluctant, Gormley agreed to undertake the project after visiting and being inspired by the Angel's proposed site, a former colliery overlooking the varied topography of the Tyne and Wear Lowlands National Character Area.

Hartlepool Steel Fabrications were responsible for the manufacture and assembly of the 208-tonne sculpture. On 14 February 1998, the Angel was transported overnight to the installation site and erected the next morning. The project faced opposition during its design and construction, but is now widely recognised as an iconic example of public art and a symbol of Gateshead and the wider North East region.