Art and culture in Francoist Spain

Monument to Eugenio d'Ors in Paseo del Prado in Madrid, opposite the Museo del Prado. In the background is the Casa Sindical or Edificio de los Sindicatos (Ministry of Health). Designed by architect Víctor D’Ors (son of Eugenio d'Ors), sculptures by Cristino Mallo and Frederic Marès, 1963.

You have to impose, in short, the order of culture, the essential ideas that have inspired our glorious movement, which combine the purest lessons of universal and Catholic tradition with the demands of modernity

— Law of November 24, 1939, for the founding of CSIC[1]

Art and culture in Francoist Spain is a historiographic term, with little use beyond the chronological placement of artists and cultural events, or political identification. The term is used generically, without involving ideological or aesthetic evaluation of the entire art and culture of Francoist Spain (1939–1975), which would only be suitable for art and culture more identified with the Franco regime, where other expressions are sometimes used: 'Fascist art and culture in Spain', 'Falangist art and culture', or 'nationalist-catholic (nacional-católica) art and culture', and so forth. The terms 'Spanish Fascist art', 'Fascist Spanish painting', 'Spanish fascist sculpture', 'Spanish fascist architecture', 'Spanish fascist culture', 'Spanish fascist literature', and so on, are infrequently used, but there are examples, as in the writing of Spanish historian Julio Rodriguez-Puértolas. Such terms have a wide application, which can be restricted to cultural products more identified with Spanish Falangism and the azul (blue) familias del franquismo (organizations affiliated with Francoism), although very often these more specific terms are generalized, to cover all of the art identified as "nacional" ('national') in Francoist Spain.

  1. ^ "El logo del CSIC, pendiente de ser liberado de su connotación fascista". Canarias Insurgente. Retrieved September 21, 2010.

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