Bill Evans

Bill Evans
Evans in 1961
Background information
Birth name	William John Evans
Born	(1929-08-16)August 16, 1929 Plainfield, New Jersey, U.S.
Died	September 15, 1980(1980-09-15) (aged 51) New York City, U.S.
Genres	Jazz modal jazz third stream cool jazz smooth jazz post-bop
Occupations	Musician composer arranger conductor
Instrument	Piano
Discography	Bill Evans discography
Years active	1950s–1980[1]
Labels	Riverside Verve Fantasy
Formerly of	George Russell, Miles Davis, Cannonball Adderley, Philly Joe Jones, Scott LaFaro, Paul Motian, Eddie Gómez, Marty Morell, Tony Bennett, Jim Hall, Stan Getz, Monica Zetterlund, Chet Baker

William John Evans (August 16, 1929 – September 15, 1980) was an American jazz pianist and composer who worked primarily as the leader of his trio.^[2] His use of impressionist harmony, block chords, innovative chord voicings, and trademark rhythmically independent "singing" melodic lines continue to influence jazz pianists today.

Born in Plainfield, New Jersey, United States, he studied classical music at Southeastern Louisiana College and the Mannes School of Music, in New York City, where he majored in composition and received an artist diploma. In 1955, he moved to New York City, where he worked with bandleader and theorist George Russell. In 1958, Evans joined Miles Davis's sextet, which in 1959, then immersed in modal jazz, recorded Kind of Blue, the best-selling jazz album of all time.^[3]

In late 1959, Evans left the Miles Davis band and began his career as a leader, forming a trio with bassist Scott LaFaro and drummer Paul Motian, a group now regarded as a seminal modern jazz trio. In 1961, they recorded two albums during an engagement at New York's Village Vanguard jazz club, Sunday at the Village Vanguard and Waltz for Debby; a complete set of their Vanguard recordings on three CDs was issued decades later. However, ten days after this booking ended, LaFaro died in a car accident. After months without public performances, Evans reemerged with a new trio, now featuring Chuck Israels on bass. In 1963, Evans recorded Conversations with Myself, a solo album produced with overdubbing technology. In 1966, he met bassist Eddie Gómez, with whom he worked for the next 11 years. During the mid-1970s, Evans collaborated with the singer Tony Bennett on two critically acclaimed albums: The Tony Bennett/Bill Evans Album (1975) and Together Again (1977).

Many of Evans's compositions, such as "Waltz for Debby" and "Time Remembered", have become standards, played and recorded by many artists. Evans received 31 Grammy nominations and seven awards, and was inducted into the DownBeat Jazz Hall of Fame.^[4]