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Chicano Art: Resistance and Affirmation (or CARA) was a traveling exhibit of Chicano/a artists which toured the United States from 1990 through 1993.[1] CARA visited ten major cities and featured over 128 individual works by about 180 different Chicano/a artists.[2] The show was also intended to visit Madrid and Mexico City.[3] CARA was the first time a Chicano exhibit received major attention from the press and it was the first exhibit that collaborated between Chicanos and major museums in the U.S.[4] The show was considered a "notable event in the development of Chicano art."[5] Another unique feature of CARA was the "extensive planning" that attempted to be as inclusive as possible and which took place more than five years prior to the opening at Wight Art Gallery.[6]
The final touring exhibit included paintings, murals and installations.[2] Over forty murals were shown via slideshow.[3] The first section of the show contained a short history of Chicanos going back to the pre-Columbian era, discussing the concept of Aztlán and including significant events up until 1965.[2] The other areas of the exhibit were divided into themes that were representative of the Chicano movement: Feminist Visions, Reclaiming the Past, Regional Expressions and Redefining American Art.[6] There were also three separate spaces devoted to the important Chicano collective arts movements, Asco, Los Four and the Royal Chicano Air Force.[4] Uniquely, at the time for a museum show, the art was shown in context with the history and politics of the Chicano movement.[7] In addition, the art shown in the exhibit was "created by Chicanos for other Chicanos."[8]
CARA's name is also a play on words since the Spanish word for face is cara.[9]
- ^ "Finding Aid for the CARA: Chicano Arts: Resistance and Affirmation Papers 1985 - 1994" (PDF). Online Archive of California. California Digital Library. 2009. Archived (PDF) from the original on 2015-09-06. Retrieved 28 March 2015.
- ^ a b c Gaspar de Alba, Alicia (1998). Chicano Art Inside/Outside the Master's House: Cultural Politics and the CARA Exhibition (3rd ed.). University of Texas Press (published 2003). ISBN 9780292788985. Archived from the original on 2016-06-10. Retrieved 31 March 2015.
- ^ a b Ramos, Lydia (30 August 1990). "Touring Retrospective Examines Chicano Art". Los Angeles Times. Archived from the original on 2015-10-29. Retrieved 31 March 2015.
- ^ a b Cite error: The named reference
:3was invoked but never defined (see the help page). - ^ Estrada, Henry C. "Tomás Ybarra-Frausto research material on Chicano art, 1965-2004". Archives of American Art. Smithsonian Institution. Archived from the original on 2015-10-01. Retrieved 31 March 2015.
- ^ a b Jackson, Carlos Francisco (14 February 2009). Chicana and Chicano Art: ProtestArte. University of Arizona Press. ISBN 9780816526475.
- ^ Cockcroft, Eva Sperling (1993). "From Barrio to Mainstream: The Panorama of Latino Art". In Lomeli, Francisco; Kanellos, Nicolas; Esteva-Fabregat, Claudio (eds.). Handbook of Hispanic Cultures in the United States: Literature and Art. Houston, Texas: Arte Publico Press. p. 194. ISBN 9781611921632. Retrieved 31 March 2015.
- ^ Cite error: The named reference
:6was invoked but never defined (see the help page). - ^ Meyer, Richard (27 February 2003). Representing the Passions: Histories, Bodies, Visions (Issues & Debates). Getty Research Institute. p. 261. ISBN 9780892366767. Retrieved 31 March 2015.