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Chronica Majora

For the work of Bede called Chronica maiora, see The Reckoning of Time.

Elephant from Chronica maiora, Part II, Parker Library, MS 16, fol. 151v

The Chronica Majora is the seminal work of Matthew Paris, a member of the English Benedictine community of St Albans and long-celebrated historian. The work begins with Creation and contains annals down to the year of Paris' death of 1259. The Chronica has long been considered a contemporary attempt to present a universal history of the world.[1]

Written in Latin, the illustrated autograph copy of the Chronica Majora survives in three volumes. The first two parts, covering Creation up to 1188 as well as the years 1189 to 1253 (MS 26 and MS 16), are contained in the Parker Library at Corpus Christi College, Cambridge.[2] The remainder of the Chronica, from 1254 until Matthew's death in 1259, is in the British Library, bound as Royal MS 14 C VII folios 157–218, following Matthew's Historia Anglorum (an abridgement of the Chronica covering the period from 1070 to 1253).[2]

The Chronica is also renowned for its author's unprecedented use of archival and documentary material. These sources, amounting to over 200 items, include charters dating back to the eighth century,[3] the rights of St Albans,[3] a dossier relating to the canonisation of St Edmund of Canterbury and even a documented list of precious gems and artefacts in possession of St Albans.[4] This exhaustive list of material required its own appendix which later became a separate volume, the Liber Additamentorum.

The Chronica is one of the most important surviving documents for the history of Latin Europe.[5] Despite its focus on England, Matthew's work extends to regions as far afield as Norway, Hungary, and Sicily as well as the crusader states.[5] It continues to be mined for its coverage of the Mongol invasions, its detailed report of the conflict between Frederick II and successive popes, as well as its commentary on the outbreak of the Second Barons' War of 1258–1267.[5] In addition to Matthew's literary abilities, he was an accomplished draughtsman. The surviving manuscripts are considered to be the foremost examples of English Gothic Manuscript, and they include some of the earliest surviving maps of Britain and the Holy Land.[5]

  1. ^ Lewis, Suzanne (1987). The Art of Matthew Paris in the Chronica Majora. University of California. p. 9.
  2. ^ a b Parker Library on the web: MS 26, MS 16I, MS 16II 362 x 244/248 mm. ff 141 + 281
  3. ^ a b Chronica Majora, vol. 6, pp. 1–62
  4. ^ Chronica Majora, vol. 6, pp. 383–92
  5. ^ a b c d Bjorn Weiler, 'Matthew Paris on the Writing of History', Journal of Medieval History 35:3 (2006), p. 255.

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