Back Ципус на Мелкарт Bulgarian Cips de Melqart Catalan Cippi des Melqart German Cipo de Melqart Spanish Cippes de Melqart French הקיפוסים של מלקרת HE Cippi Melkarta Polish Melkartova cipa Slovenian
| The Cippi of Melqart | |
|---|---|
 The two Cippi of Melqart, reunited in Doha in 2023. | |
| Material | White marble |
| Size | 1.05m x 0.34m x 0.31m |
| Writing | Greek script and ancient Phoenician alphabet |
| Created | Early Roman era (2nd century BC) |
| Discovered | 17th century, undocumented circumstances |
| Present location | National Museum of Archaeology (Malta Cippus) and, Sully wing, Ground floor, Mediterranean world, Room 18b, at the Louvre Museum[1][2] (Louvre Cippus) |
| Registration | CIS I, 122/122 bis or KAI 47 (Malta Cippus), AO 4818 (Louvre Cippus) |
The Cippi of Melqart are a pair of Phoenician marble cippi that were unearthed in Malta under undocumented circumstances and dated to the 2nd century BC. These are votive offerings to the god Melqart, and are inscribed in two languages, Ancient Greek and Phoenician, and in the two corresponding scripts, the Greek and the Phoenician alphabet. They were discovered in the late 17th century, and the identification of their inscription in a letter dated 1694 made them the first Phoenician writing to be identified and published in modern times.[3] Because they present essentially the same text (with some minor differences), the cippi provided the key to the modern understanding of the Phoenician language. In 1758, the French scholar Jean-Jacques Barthélémy relied on their inscription, which used 17[n 1] of the 22 letters of the Phoenician alphabet, to decipher the unknown language.
The tradition that the cippi were found in Marsaxlokk was only inferred by their dedication to Heracles,[n 2] whose temple in Malta had long been identified with the remains at Tas-Silġ.[n 3] The Grand Master of the Order of the Knights Hospitaller, Fra Emmanuel de Rohan-Polduc, presented one of the cippi to the Académie des Inscriptions et Belles-Lettres in 1782.[6] This cippus is currently in the Louvre Museum in Paris, while the other rests in the National Museum of Archaeology in Valletta, Malta. The inscription is known as KAI 47.
- ^ AO 4818: Room 18b. Mattmann, Philippe (2013). Near Eastern Antiquities. Visit the Louvre With the Bible. www.louvrebible.org. ISBN 979-10-92487-05-3.[permanent dead link] At Google Books.
- ^ a b "Cippus from Malta". Louvre Museum. Retrieved 15 February 2014.
- ^ Lehmann, p210 and 257, quote: "Soon thereafter, at the end of the 17th century, the abovementioned Ignazio di Costanzo was the first to report a Phoenician inscription and to consciously recognize Phoenician characters proper... And just as the Melitensis prima inscription played a prominent part as the first-ever published Phoenician inscription... and remained the number-one-inscription in the Monumenta (fig. 8), it now became the specimen of authentic Phoenician script par excellence... The Melitensis prima inscription of Marsa Scirocco (Marsaxlokk) had its lasting prominence as the palaeographic benchmark for the assumed, or rather deduced "classical" Phoenician ("echtphönikische") script."
- ^ Cite error: The named reference
Lehmannwas invoked but never defined (see the help page). - ^ Cite error: The named reference
MHwas invoked but never defined (see the help page). - ^ Berger, Philippe (1888). "L'histoire d'une inscription. Une rectification au Corpus inscriptionum semiticarum, 1ère partie, n°122". Comptes rendus des séances de l'Académie des Inscriptions et Belles-Lettres (in French). 32 (6). PERSEE Program: 494–500. doi:10.3406/crai.1888.69568. ISSN 0065-0536.
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