Back Konstruktivismus (Kunst) ALS بنائية (فنون) Arabic البنائيه ARZ Канструктывізм (мастацтва) Byelorussian Канструктывізм (мастацтва) BE-X-OLD Конструктивизъм (изкуство) Bulgarian Sevelouriezh Breton Constructivisme (art) Catalan Konstruktivismus Czech Конструктивизм (ӳнер) CV
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&sq=engine&lang=en&file=File:Klinom_Krasnym_Bej_Belych.JPG) El Lissitzky's poster Beat the Whites with the Red Wedge (1919 | |
| Years active | 1915–1934 |
|---|---|
| Location | Russia (1915–1922) Soviet Union (after 1922) |
| Major figures | Vladimir Tatlin, Alexander Rodchenko |
| Influences | Russian folk art, Suprematism, Cubism and Futurism |
| Influenced | Bauhaus and De Stijl |
Constructivism is an early twentieth-century art movement founded in 1915 by Vladimir Tatlin and Alexander Rodchenko.[1] Abstract and austere, constructivist art aimed to reflect modern industrial society and urban space.[1] The movement rejected decorative stylization in favour of the industrial assemblage of materials.[1] Constructivists were in favour of art for propaganda and social purposes, and were associated with Soviet socialism, the Bolsheviks and the Russian avant-garde.[2]
Constructivist architecture and art had a great effect on modern art movements of the 20th century, influencing major trends such as the Bauhaus and De Stijl movements. Its influence was widespread, with major effects upon architecture, sculpture, graphic design, industrial design, theatre, film, dance, fashion and, to some extent, music.
- ^ a b c "Constructivism". Tate Modern. Retrieved 9 April 2020.
- ^ Hatherley, Owen (4 November 2011). "The constructivists and the Russian revolution in art and achitecture". The Guardian. Retrieved 9 April 2020.