Submission declined on 19 September 2024 by Jamiebuba (talk).
This submission's references do not show that the subject qualifies for a Wikipedia article—that is, they do not show significant coverage (not just passing mentions) about the subject in published, reliable, secondary sources that are independent of the subject (see the guidelines on the notability of people). Before any resubmission, additional references meeting these criteria should be added (see technical help and learn about mistakes to avoid when addressing this issue). If no additional references exist, the subject is not suitable for Wikipedia.
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Comment: Trim down on the Selected exhibitions and lectures, arrange it properly and provide sources. Another issue with WP:REFBOMB. Jamiebuba (talk) 11:53, 19 September 2024 (UTC)
Page for Alexander McLeod, a Canadian digital artist known for works in generative AI
Alexander McLeod (born July 23, 1984) is a Canadian visual artist based in Toronto, Ontario working primarily within the mediums of animation, interactivity and print.[1] McLeod's body of work has been recognized as exploring the intersections of the natural world meeting the artificial[2] - merging organic elements blended with gaming references[3][4][5][6][1] and futuristic aesthetic themes to create universes of vibrant, surreal landscapes and immersive environments.[7][8][9][10]
In the landscape of Canadian contemporary art, McLeod is considered to be part of the vanguard of digital artists who seek to embrace the evolutionary dialogue of visual language with emergent technologies - such as generative AI, 3D printing and modelling and virtual or augmented reality - within their practice to expand the limits of visual art.[7][11][12][9] He is celebrated for his adept understanding of internet culture[13][14][15][16][17] and innovative uses of 3D rendering technologies to push the boundaries of frame in digital art - at times, referred to as "technicolour dioramas"[18][19] due to their highly detailed and immersive qualities.[20][5][21][22]
McLeod has also been cited and featured in a number of University level course curricula analyzing themes of similar nature - drawing upon his work as an example of how these technologies can be utilized as bridges weaving traditional art practices, pluriversal thought and new media to create meaningful, aesthetically rich experiences that challenge conventional understanding of perception, landscape and form.[23][24][25] Reflecting this, the influence of his bold personal style, interior design tastes and curation of his private art collection are also considered to be hallmarks of his artistic aesthetic.[26][27][28][29]
^ abHolmes, Kevin. "A Tech Q&A With Alex McLeod"www.vice.com. VICE. (Originally published on The Creators Project). October 19, 2011. Retrieved August 25, 2024.
^ abExhibition catalog: Iles, Chrissie. "Dreamlands: Immersive Cinema and Art, 1905–2016". New Haven/London: Yale University Press, 2016. ISBN 978-0-3002-2187-9
^Mills, Lorna. "Ways of Something" Episode #3. Minute 6. The Whitney Museum of American Art. 2016. Retrieved August 25, 2024.
^Hayler, Matt & Griffin, Gabriele. "Research Methods for Creating and Curating Data in the Digital Humanities". Edinburgh University Press, 2016. ISBN 978-0-3002-2187-9
^Doherty, Shauna Jean. "Well Now WTF"www.peripheralreview.com. Peripheral Review. February 5, 2021. Retrieved August 25, 2024.
^Holmes, Kevin. "Step Into A Kitsch Animated Wonderland"www.vice.com. VICE. (Originally published on The Creators Project). September 20, 2011. Retrieved August 25, 2024.
^D. Liddington, A. Morrell. “CROS 3001 - Professional Practice” Department of Painting. Ontario College of Art and Design. Fall 2022 - Fall 2024. Retrieved from https://www.coursicle.com/ocaduca/courses/CROS/3001/ on August 25, 2024.
^S. Oliveira. “DRPT 3011 - The Convincing Picture” Department of Painting. Ontario College of Art and Design. Fall 2023. Retrieved from https://www.coursicle.com/ocaduca/courses/DRPT/3011/ on August 25, 2024.
^N. Ostoff, R. Nicholls, S. Everingham, P. Smith, N. Inalouei, S. Whitton, B. Luca, M. Porter. “DRPT 1004 - Painting II” Department of Painting. Ontario College of Art and Design. Winter 2023. Retrieved from https://www.coursicle.com/ocaduca/courses/DRPT/1004/ on August 25, 2024.