Fred Williamson | |||||
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Born | Frederick Robert Williamson March 5, 1938[1][2][3] Gary, Indiana, U.S.[1] | ||||
Other names |
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Education | Friedrich Froebel High School[4] | ||||
Alma mater | Northwestern University | ||||
Occupations |
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Years active | 1968–present | ||||
Spouses | |||||
Children | 3[6] or 6[4] | ||||
American football career |
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No. 24 | |||||
Position: | Defensive back | ||||
Personal information | |||||
Height: | 6 ft 3 in (1.91 m) | ||||
Weight: | 220 lb (100 kg) | ||||
Career information | |||||
College: | Northwestern | ||||
Undrafted: | 1960 | ||||
Career history | |||||
Career highlights and awards | |||||
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Career NFL statistics | |||||
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Frederick Robert Williamson (born March 5, 1938),[1][2] nicknamed "the Hammer", is an American actor, filmmaker, and former professional football defensive back who played mainly in the American Football League (AFL) during the 1960's.[7][8] He was a top sports star during the decade, and become a leading man in blaxploitation and action films beginning in the 1970's.[2]
WIlliamson played in college at Northwestern University, and played in the National Football League (NFL) with the Pittsburgh Steelers for one season. In the AFL, Williamson played with the Oakland Raiders for four seasons, becoming a three-time AFL All-Star (1961, '62, '63). He then played three seasons with the Kansas City Chiefs, where was a one-time AFL Champion ('66). During his football career, he earned the nickname "the Hammer" for his aggressive playing style, which incorporated martial arts techniques.[9]
After retiring from football in 1968, Williamson made a string of a guest and supporting roles on television and in films. He played his first leading role in the blaxploitation Western The Legend of Nigger Charley (1972), which he reprised in two sequels. He starred as Tommy Gibbs in the 1973 crime drama film Black Caesar and its sequel Hell Up in Harlem.[2] Williamson also had roles in other 1970s blaxploitation films such as Hammer (1972), That Man Bolt (1973)[2] and Three the Hard Way (1974). Later in the decade, he worked extensively in Italian cinema, and also began to direct and produce his own films.
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