Goldfinger | |
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Directed by | Guy Hamilton |
Screenplay by | |
Based on | Goldfinger by Ian Fleming |
Produced by | |
Starring | |
Cinematography | Ted Moore |
Edited by | Peter R. Hunt |
Music by | John Barry |
Production company | |
Distributed by | United Artists |
Release dates |
|
Running time | 110 minutes |
Countries | United Kingdom[1] United States[2] |
Language | English |
Budget | $3 million |
Box office | $125 million |
Goldfinger is a 1964 spy film and the third instalment in the James Bond series produced by Eon Productions, starring Sean Connery as the fictional MI6 agent James Bond. It is based on the 1959 novel of the same name by Ian Fleming. The film also stars Honor Blackman, Gert Fröbe and Shirley Eaton. Goldfinger was produced by Albert R. Broccoli and Harry Saltzman. The film was the first of four Bond films directed by Guy Hamilton.
The film's plot has Bond investigating the gold magnate Auric Goldfinger, who plans to contaminate the United States Bullion Depository at Fort Knox. Goldfinger was the first Bond blockbuster, with a budget equal to that of the two preceding films combined. Principal photography took place from January to July 1964 in the United Kingdom, Switzerland and the United States.
Goldfinger was heralded as the film in the franchise where James Bond "comes into focus".[3] Many elements introduced in it appeared in many of the later James Bond films, such as the extensive use of technology and gadgets by Bond, an extensive pre-credits sequence that stood largely alone from the main plot, multiple foreign locales and tongue-in-cheek humour. The film's release led to a number of promotional licensed tie-in items, including a toy Aston Martin DB5 car from Corgi Toys, which became one of the biggest-selling toys of the 1960s,[4][5] and an image of gold-painted Eaton on the cover of Life.
Goldfinger was the first Bond film to win an Academy Award (for Best Sound Editing) and opened to largely favourable critical reception. The film was a financial success, recouping its budget in two weeks and grossing over $120 million worldwide. In 1999, it was ranked 70th on the BFI Top 100 British films list.
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