Medieval Welsh literature

This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed. Find sources: "Medieval Welsh literature" – news · newspapers · books · scholar · JSTOR (May 2024) (Learn how and when to remove this message)

History of literature by era
Ancient (corpora)
Bronze Age Ancient Egyptian Akkadian Elamite Hattic Hittite Hurro-Urartian Luwian Lydian Sumerian Ugarit Classical Ancient Greek Ancient Hebrew Ancient Prakrit Aramaic Classical Chinese Classical Latin Parthian Phrygian Old Persian Old Tamil Sanskrit Syriac
Early medieval
Arabic Armenian Bactrian Byzantine Greek Coptic Gandhari Prakrit Geʽez Georgian Japanese Kannada Maharashtri Prakrit Pre-Proto-Mongolic Old Church Slavonic Old English Old German Old Khmer Old Malay Old Turkic Norse Pali Sabaic Saka Sogdian Telugu Tibetan Tocharian Welsh
Medieval by century
10th 11th 12th 13th 14th
Early modern by century
15th 16th 17th
Modern by century
18th 19th
Contemporary by century
20th 21st
Literature portal
v t e

Medieval Welsh literature is the literature written in the Welsh language during the Middle Ages. This includes material starting from the 5th century AD, when Welsh was in the process of becoming distinct from Common Brittonic, and continuing to the works of the 16th century.

The Welsh language became distinct from other dialects of Old British sometime between AD 400 and 700; the earliest surviving literature in Welsh is poetry dating from this period. The poetic tradition represented in the work of Y Cynfeirdd ("The Early Poets"), as they are known, then survives for over a thousand years to the work of the Poets of the Nobility in the 16th century.

The core tradition was praise poetry; and the poet Taliesin was regarded as the first in the line. The other aspect of the tradition was the professionalism of the poets and their reliance on patronage from kings, princes and nobles for their living, similar to the way Irish bards and Norse skalds were patronized for the production of complex, often highly alliterative forms of verse. The fall of the Kingdom of Gwynedd and the loss of Welsh independence in any form in 1282 proved a crisis in the tradition, but one that was eventually overcome. It led to the innovation of the development of the cywydd meter, a looser definition of praise, and a reliance on the nobility for patronage.

The professionalism of the poetic tradition was sustained by a Guild of Poets, or Order of Bards, with its own "rule book" emphasising the making of poetry as a craft. Under its rules poets undertook an apprenticeship of nine years to become fully qualified. The rules also set out the payment a poet could expect for his work. These payments varied according to how long a poet had been in training and also the demand for poetry at particular times during the year.

Alongside the court poet, kings, princes and nobles patronised an official storyteller (Welsh: cyfarwydd). Like poets, the storytellers were also professionals; but unlike the poets, little of their work has survived. What has survived are literary creations based on native Welsh tales which would have been told by the storytellers. The bulk of this material is found in the collection known today as the Mabinogion. Medieval Welsh prose was not confined to the story tradition but also included a large body of both religious and practical works, in addition to a large amount translated from other languages.