Osbert Parsley | |
|---|---|
.jpg) The commemorative plaque to Parsley in Norwich Cathedral | |
| Born | 1510/1511 |
| Died | 1585 (aged 71) Norwich, England |
| Occupations |
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| Era | Renaissance |
Osbert Parsley[note 1] (1510/1511 – 1585) was an English Renaissance composer and chorister. Few details of his life are known, but he evidently married in 1558, and lived for a period in the parish of St Saviour's Church, Norwich. A boy chorister at Norwich Cathedral, Parsley worked there throughout his musical career.[4] He was first mentioned as a lay clerk, was appointed a "singing man" in c. 1534, and was probably the cathedral's unofficial organist for half a century. His career spanned the reigns of Henry VIII and all three of his children. After the Reformation of 1534, the lives of English church musicians changed according to the official policy of each monarch.
Parsley wrote mainly church music for both the Latin and English rites, as well as instrumental music. His Latin settings are considered to be more fluent and attractive-sounding than those he wrote to be sung in English. His longest composition, Conserva me, domine, was in a graceful polyphonic style. Parsley's other liturgical works include Daily Offices (two morning services and an evening service), and the five-part Lamentations (notable for the difficulty in singing the top notes of the highest part). His instrumental music, nearly all for viols, including six consort pieces, was written in a style that combines both his Latin and English vocal styles. Some of his incomplete instrumental music has survived.
Parsley died in Norwich in 1585 and was buried in Norwich Cathedral. His commemorative plaque, a mark of the respect in which he was held by those who knew him, was a unique honour for a chorister at the cathedral. The plaque is inscribed with a poem praising his character and musicianship. Parsley's music is occasionally heard in church services and concerts. Compositions that have been recorded include his Lamentations and Spes Nostra.
- ^ Morley 1608, p. 96.
- ^ Dovey 1996, p. 72.
- ^ Davey 1921, p. 141.
- ^ Historical Dictionary of English Music ca. 1400–1958 ed. by Charles Edward McGuire, Steven E. Plank (2012), p. 231-2
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