Back السينما الموازية Arabic সমান্তৰাল চলচ্চিত্ৰ Assamese Parallel Cinema BAN সমান্তরাল চলচ্চিত্র Bengali/Bangla Cinéma parallèle French समानान्तर सिनेमा Hindi Sinema paralel ID パラレル映画 Japanese സമാന്തര ചലച്ചിത്രം Malayalam Индийское параллельное кино Russian
| Years active | 40 1952–1992 (first wave), 1998–current (resurgence) |
|---|---|
| Location | India |
| Major figures | Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Tapan Sinha, Adoor Gopalakrishnan, Balu Mahendra, G. Aravindan, Shyam Benegal, Girish Karnad, Girish Kasaravalli, Shaji N.Karun, Buddhadeb Dasgupta, Jahnu Barua, Goutam Ghose, B. Narsing Rao, Nagesh Kukunoor, Rituparno Ghosh, K. N. T. Sastry, Ram Gopal Varma, Mani Kaul, Saeed Akhtar Mirza, Ashim Ahluwalia[1] |
| Influences | Indian theatre, Bengali literature, social realism, poetic realism, Italian neorealism |
Parallel cinema, or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema.
Inspired by Italian Neorealism, Parallel Cinema began just before the French New Wave and Japanese New Wave, and was a precursor to the Indian New Wave of the 1960s. The movement was initially led by Bengali cinema and produced internationally acclaimed filmmakers such as Satyajit Ray, Mrinal Sen, Ritwik Ghatak, Tapan Sinha and others. It later gained prominence in other film industries of India.
It is known for its serious content, realism and naturalism, symbolic elements with a keen eye on the sociopolitical climate of the times, and the general rejection of inserted song-and-dance routines that are typical of mainstream Indian films.