Journalism is the production and distribution of reports on the interaction of events, facts, ideas, and people that are the "news of the day" and that informs society to at least some degree of accuracy. The word, a noun, applies to the occupation (professional or not), the methods of gathering information, and the organizing literary styles.
The appropriate role for journalism varies from country to country, as do perceptions of the profession, and the resulting status. In some nations, the news media are controlled by government and are not independent. In others, news media are independent of the government and operate as private industry. In addition, countries may have differing implementations of laws handling the freedom of speech, freedom of the press as well as slander and libel cases.
The proliferation of the Internet and smartphones has brought significant changes to the media landscape since the turn of the 21st century. This has created a shift in the consumption of print media channels, as people increasingly consume news through e-readers, smartphones, and other personal electronic devices, as opposed to the more traditional formats of newspapers, magazines, or television news channels. News organizations are challenged to fully monetize their digital wing, as well as improvise on the context in which they publish in print. Newspapers have seen print revenues sink at a faster pace than the rate of growth for digital revenues. (Full article...)
Christgau's reviews are informed by an interest in the aesthetic and political dimensions of popular music, a belief that it could be consumed intelligently, and a desire to communicate his ideas to readers in an entertaining, provocative, and compact way. Many of the older reviews were rewritten for the guide to reflect his changed perspective and matured stylistic approach. He undertook an intense preparation process for the book during 1979 and 1980, which temporarily hindered both his awareness of current music and his marriage to fellow writer Carola Dibbell, whom he later credited as an influence on his work. (Full article...)
Pauline Kael (/keɪl/; June 19, 1919 – September 3, 2001) was an American film critic who wrote for The New Yorker from 1968 to 1991. Known for her "witty, biting, highly opinionated and sharply focused" reviews, Kael's opinions often ran contrary to those of her contemporaries.
One of the most influential American film critics of her era, she left a lasting impression on the art form. Roger Ebert argued in an obituary that Kael "had a more positive influence on the climate for film in America than any other single person over the last three decades". Kael, he said, "had no theory, no rules, no guidelines, no objective standards. You couldn't apply her 'approach' to a film. With her it was all personal." In a blurb for The Age of Movies, a collection of her writings for the Library of America, Ebert wrote that "Like George Bernard Shaw, she wrote reviews that will be read for their style, humor and energy long after some of their subjects have been forgotten." Owen Gleiberman said she "was more than a great critic. She reinvented the form, and pioneered an entire aesthetic of writing." (Full article...)
Image 40"Geronimo's camp before surrender to General Crook, March 27, 1886: Geronimo and Natches mounted; Geronimo's son (Perico) standing at his side holding baby." By C. S. Fly. (from Photojournalism)
Image 41Title page of Johann Carolus' Relation from 1609, the first newspaper (from Newspaper)
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^Canadian Library Journal, Canadian Library Association, v. 27, 1992. Digitized Dec 27, 2007 from the University of California.
^Murphy, Lawrence William. "An Introduction to Journalism: Authoritative Views on the Profession", 1930. T. Nelson and sons Journalism. Original from the University of California. Digitized Oct 23, 2007.
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