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Repressive desublimation

Repressive desublimation is a term, first coined by Frankfurt School philosopher and sociologist Herbert Marcuse in his 1964 work One-Dimensional Man, that refers to the way in which, in advanced industrial society (capitalism), "the progress of technological rationality is liquidating the oppositional and transcending elements in the “higher culture.”[1] In other words, where art was previously a way to represent "that which is" from "that which is not,"[2] capitalist society causes the "flattening out"[3] of art into a commodity incorporated into society itself. As Marcuse put it in One-Dimensional Man, "The music of the soul is also the music of salesmanship."

By offering instantaneous, rather than mediated, gratifications,[4] repressive desublimation was considered by Marcuse to remove the energies otherwise available for a social critique; and thus to function as an emancipating dynamic under the guise of collectivist politics.

  1. ^ Herbert Marcuse, One-Dimensional Man (London 2002) p. 75-8
  2. ^ Herbert Marcuse, One-Dimensional Man (London 2002) p. 75-8
  3. ^ Herbert Marcuse, One-Dimensional Man (London 2002) p. 75-8
  4. ^ Herbert Marcuse, One-Dimensional Man (London 2002) p. 75-8

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