Back Sikstin kapellası freskalarının restavrasiyası Azerbaijani Restauración de los frescos de la Capilla Sixtina Spanish Restauration des fresques de la chapelle Sixtine French Konzervacija restauracija fresaka u Sikstinskoj kapeli Croatian Restorasi lukisan dinding Kapel Sistina ID Restauro degli affreschi della Cappella Sistina Italian システィーナ礼拝堂壁画修復 Japanese Restauracja fresków w kaplicy Sykstyńskiej Polish Restauração dos afrescos da Capela Sistina Portuguese Реставрация фресок Сикстинской капеллы Russian

Restoration of the Sistine Chapel frescoes

The Creation of the Sun, Moon, and Plants, ceiling fresco by Michelangelo, pre-restoration
A post-restoration section of the ceiling of the Sistine Chapel that includes the fresco shown above

The conservation-restoration of the frescoes of the Sistine Chapel was one of the most significant conservation-restorations of the 20th century.

The Sistine Chapel was built by Pope Sixtus IV within the Vatican immediately to the north of St. Peter's Basilica and completed in about 1481. Its walls were decorated by a number of Renaissance painters who were among the most highly regarded artists of late 15th century Italy, including Ghirlandaio, Perugino, and Botticelli.[1] The Chapel was further enhanced under Pope Julius II by the painting of the ceiling by Michelangelo between 1508 and 1512 and by the painting of the Last Judgment, commissioned by Pope Clement VII and completed in 1541, again by Michelangelo.[2] The tapestries on the lowest tier, today best known from the Raphael Cartoons (painted designs) of 1515–16, completed the ensemble.

Together the paintings make up the greatest pictorial scheme of the Renaissance. Individually, some of Michelangelo's paintings on the ceiling are among the most notable works of Western art ever created.[a] The frescoes of the Sistine Chapel and in particular the ceiling and accompanying lunettes by Michelangelo have been subject to a number of restorations, the most recent taking place between 1980 and 1994. This most recent restoration had a profound effect on art lovers and historians, as colours and details that had not been seen for centuries were revealed. It has been claimed that as a result "Every book on Michelangelo will have to be rewritten".[3] Others, such as the art historian James Beck of ArtWatch International, have been extremely critical of the restoration, saying that the restorers have not realised the true intentions of the artist. This is the subject of continuing debate.

  1. ^ Cite error: The named reference JS was invoked but never defined (see the help page).
  2. ^ Massimo Giacometti, editor, The Sistine Chapel, (1986) Harmony Books, ISBN 0-517-56274-X
  3. ^ University of Victoria art scholar, John Osborne, in the Queen's Quarterly, as quoted in: Robert, Fulford (11 February 1998). "Robert Fulford's column about art restoration in Italy". The Globe and Mail. Archived from the original on 2012-01-12. Retrieved 2011-12-16.


Cite error: There are <ref group=lower-alpha> tags or {{efn}} templates on this page, but the references will not show without a {{reflist|group=lower-alpha}} template or {{notelist}} template (see the help page).

Developed by StudentB