Back Doodskleed van Turyn Afrikaans የቶሪኖ ከፈን Amharic كفن تورينو Arabic Turin kəfəni Azerbaijani An Taklob kan Turin BCL Торинска плащаница Bulgarian Sant sudari Catalan Turínské plátno Czech Amdo Turin Welsh Ligklædet i Torino Danish

Shroud of Turin

Shroud of Turin
The Shroud of Turin: modern photo of the face, positive (left), and digitally processed image (right)
MaterialLinen
Size4.4 m × 1.1 m (14 ft 5 in × 3 ft 7 in)
Present locationChapel of the Holy Shroud, Turin, Italy
Period13th to 14th century[1]
Full-length image of the Turin Shroud before the 2002 restoration

The Shroud of Turin (Italian: Sindone di Torino), also known as the Holy Shroud[2][3] (Italian: Sacra Sindone), is a length of linen cloth that bears a faint image of the front and back of a naked man. Details of the image are consistent with traditional depictions of Jesus of Nazareth after his death by crucifixion. The shroud has been venerated for centuries, especially by members of the Catholic Church, as Jesus' actual burial shroud, upon which his image was miraculously imprinted. The human image on the shroud can be discerned more clearly in a black and white photographic negative than in its natural sepia color, an effect discovered in 1898 by Secondo Pia, who produced the first photographs of the shroud. This negative image is associated with a popular Catholic devotion to the Holy Face of Jesus.

The documented history of the shroud dates back to 1354, when it began to be exhibited in the new collegiate church of Lirey, a village in north-central France.[4]: 80–81  The shroud was denounced as a forgery by the bishop of Troyes, Pierre d’Arcis, in 1389.[4]: 90–96  It was acquired by the House of Savoy in 1453 and later deposited in a chapel in Chambéry,[4]: 141–142, 153–154  where it was damaged by fire in 1532.[4]: 166  In 1578, the Savoys moved the shroud to their new capital in Turin, where it has remained ever since.[4]: 191  Since 1683, it has been kept in the Chapel of the Holy Shroud, which was designed for that purpose by architect Guarino Guarini and which is connected to both the royal palace and the Turin Cathedral.[4]: 233  Ownership of the shroud passed from the House of Savoy to the Catholic Church after the death of former king Umberto II in 1983.[4]: 415 

The microscopist Walter McCrone found, based on his examination of samples taken in 1978 from the surface of the shroud using adhesive tape, that the image on the shroud had been painted with a dilute solution of red ochre pigment in a gelatin medium. McCrone found that the apparent bloodstains were painted with vermilion pigment, also in a gelatin medium.[5] McCrone's findings were disputed by other researchers and the nature of the image on the shroud continues to be debated.[4]: 364–366  In 1988, radiocarbon dating by three independent laboratories established that the shroud dates back to the Middle Ages, between the years 1260 and 1390.[6][7]

The nature and history of the shroud have been the subjects of extensive and long-lasting controversies in both the scholarly literature and the popular press.[8][9][10][11][12] Though accepted as valid by experts, the radiocarbon dating of the shroud continues to generate significant public debate.[13][14][4]: 424–445  Defenders of the authenticity of the shroud have questioned the radiocarbon results, usually on the basis that the samples tested might have been contaminated or taken from a repair to the original fabric. Such fringe theories, which have been rejected by most experts,[15] include the medieval repair theory,[16][17][18] the bio-contamination theories,[19] and the carbon monoxide theory.[20][21] Currently, the Catholic Church neither endorses nor rejects the authenticity of the shroud as a relic of Jesus.

  1. ^ Cite error: The named reference Radiocarbon Dating, Second Edition was invoked but never defined (see the help page).
  2. ^ Cite error: The named reference Britannica was invoked but never defined (see the help page).
  3. ^ Cite error: The named reference 29DLv was invoked but never defined (see the help page).
  4. ^ a b c d e f g h i Cite error: The named reference Nicolotti was invoked but never defined (see the help page).
  5. ^ Cite error: The named reference McCrone-90 was invoked but never defined (see the help page).
  6. ^ Cite error: The named reference 'Turin Nature was invoked but never defined (see the help page).
  7. ^ Cite error: The named reference taylor was invoked but never defined (see the help page).
  8. ^ Cite error: The named reference kJeDs was invoked but never defined (see the help page).
  9. ^ Cite error: The named reference Meacham 1983 was invoked but never defined (see the help page).
  10. ^ Cite error: The named reference GVf9K was invoked but never defined (see the help page).
  11. ^ Cite error: The named reference oattp was invoked but never defined (see the help page).
  12. ^ Cite error: The named reference kl2Oq was invoked but never defined (see the help page).
  13. ^ "Why Shroud of Turin's Secrets Continue to Elude Science". History. 17 April 2015. Archived from the original on 1 April 2021. Retrieved 6 August 2023.
  14. ^ Moorhead, Joanna (17 April 2022). "The $1m challenge: 'If the Turin Shroud is a forgery, show how it was done'". The Observer. ISSN 0029-7712. Retrieved 6 August 2023.
  15. ^ Cite error: The named reference Radiocarbon Dating pg 167-168 was invoked but never defined (see the help page).
  16. ^ Cite error: The named reference R.A. Freer-Waters, A.J.T. Jull 2010 was invoked but never defined (see the help page).
  17. ^ Cite error: The named reference freeinquiry1 was invoked but never defined (see the help page).
  18. ^ Cite error: The named reference jAsd9 was invoked but never defined (see the help page).
  19. ^ Cite error: The named reference Gove 1990 was invoked but never defined (see the help page).
  20. ^ Cite error: The named reference c14.arch.ox.ac.uk was invoked but never defined (see the help page).
  21. ^ Cite error: The named reference chemistryworld was invoked but never defined (see the help page).

Developed by StudentB