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Sony DCR-VX1000

The Sony DCR-VX1000 was a DV camcorder released by Sony in 1995.[1] It was the first to use both the MiniDV tape format and three-CCD color processing technology—boasting twice the horizontal resolution of VHS and triple the color bandwidth of single-CCD cameras. It was also the first consumer camcorder with the ability to transfer video information via Firewire to an ordinary Windows or Macintosh computer. Together with the rival Canon XL1 and shorter-lived "budget" three-CCD DV models like the Canon GL1 and Sony DCR-TRV900, the VX1000 revolutionized desktop video production in the late 1990s, delivering quality comparable to then-dominant analog Betacam hardware at a fraction of the cost.[2]

The VX1000 was based on Sony's earlier VX1 (PAL) and VX3 (NTSC) Hi8 camcorders, which were similarly intended as "prosumer" models, targeted at both high-end consumer and low-end professional users. In the mid-1990s, Sony began to move away from Hi8 tape in favor of the emerging DV format, and as a result the VX3 and VX1 were discontinued in 1995. However, their iconic form factor, with a distinctively-shaped stereo microphone array at the front of the handle, was reused by the VX1000 and numerous later Sony DV and HDV camcorders in the VX, PD, FX and Z lines. The camera's MSRP was USD $3000 when it came out. With three 1/3-inch CCDs, a digital sensor resolution of 410,000 pixels, and an analog horizontal resolution of better than 530 lines, its resolution and video clarity were nearly unsurpassed, even by models far past its price point.

At the time, Sony had a pattern of releasing "professional" upgraded versions of their most popular consumer cameras, with the same chassis shape but made from more durable materials and in a darker color. Extra features included XLR inputs and the ability to record in the higher-grade DVCAM format. The VX1000 was replaced by the DCR-VX2000 in 2000 and the DCR-VX2100 in mid 2003; the VX2000's pro version was the DSR-PD150, notably used in the production of David Lynch's 2006 feature film Inland Empire, and the VX2100's pro versions were the DSR-PD170 and DSR-PD175. The VX1000 itself, however, had no exact pro equivalent, although the shoulder-mounted VX9000 and DSR200 (with "A" and "P" variants) used the same 3ccd sensor chips and lens, along with fullsize DV tapes instead of MiniDV. [3][4][5]

The DCR-VX1000 became iconic for its use in many pornographic films as well as skateboarding films in the late 90s and early 2000s and therefore is an important part in the history of skateboarding culture.[6][7][8]

  1. ^ "The Consumer Electronics Hall of Fame: Sony DCR-VX1000 - IEEE Spectrum". IEEE Spectrum: Technology, Engineering, and Science News. Retrieved 27 June 2021.
  2. ^ Hurbis-Cherrier, Mick (13 March 2007). Voice and Vision: A Creative Approach to Narrative Film and DV Production - Google Books. CRC Press. ISBN 978-1-136-06790-7. Retrieved 22 November 2023.
  3. ^ Jackman, John (6 August 2012). Lighting for Digital Video and Television - Google Books. CRC Press. ISBN 978-1-136-05718-2. Retrieved 22 November 2023.
  4. ^ Evans, Russell (31 July 2013). Practical DV Filmmaking - Google Books. CRC Press. ISBN 978-1-136-06798-3. Retrieved 22 November 2023.
  5. ^ DVCAM - Google Books. Taylor & Francis. 22 August 2013. ISBN 978-1-136-04762-6. Retrieved 22 November 2023.
  6. ^ "The History of Skateboarding's Favorite Camera". YouTube. Jenkem Magazine. Sep 21, 2020.
  7. ^ "VX1000: The Story of Skateboarding's Most Iconic Camera". YouTube. Red Bull Skateboarding. June 15, 2023. Retrieved July 23, 2023.
  8. ^ "How Sony unintentionally defined the skate video". engadget.com. Engadget. 30 September 2022. Retrieved 23 July 2023.

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