Soukous | |
---|---|
Stylistic origins | |
Cultural origins | Late 1960s in DRC and Republic of the Congo, 1980s in France |
Derivative forms | Muziki wa dansi and ndombolo |
Regional scenes | |
Congolese sound (Kenya, Uganda, Tanzania), fast-paced soukous (Paris) | |
Other topics | |
Soukous musicians |
Soukous (from French secousse, "shock, jolt, jerk") is a genre of dance music originating from the Democratic Republic of the Congo (formerly Zaire) and the Republic of the Congo (formerly French Congo).[1] It derived from Congolese rumba in the 1960s, with faster dance rhythms and bright, intricate guitar improvisation,[2] and gained popularity in the 1980s in France.[3] Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo, song structures and longer dance sequences.[3]
Soukous fuses traditional Congolese rhythms with contemporary instruments. It customarily incorporates electric guitars, double bass, congas, clips, and brass/woodwinds.[4][5] Soukous lyrics often explore themes of love, social commentary, amorous narratives, philosophical musings, and ordinary struggles and successes.[2] Singers occasionally sing and croon in Lingala, Kikongo, French and Swahili and bands often consist of a primary vocalist accompanied by several backing singers.[6][7]