Star and crescent

Ancient design of the star and crescent symbol as used in Byzantium in the 1st century BC.
The star and crescent symbol used in the minted coins of the Sassanian Empire from the 3rd century until the 7th century. This coin was coined under Ardashir III.
The Adoration of the Magi by Stephan Lochner; on the left, the crescent and star is depicted in the flag of representatives of Byzantium.

The conjoined representation of a crescent and a star is used in various historical contexts, including as a prominent symbol of the Ottoman Empire, and in contemporary times, as a national symbol by some countries, and as a symbol of Islam.[1] It was developed in the Greek colony of Byzantium ca. 300 BC, though it became more widely used as the royal emblem of Pontic king Mithridates VI Eupator after he incorporated Byzantium into his kingdom for a short period.[2] During the 5th century, it was present in coins minted by the Persian Sassanian Empire; the symbol was represented in the coins minted across the empire throughout the Middle East for more than 400 years from the 3rd century until the fall of the Sassanians after the Muslim conquest of Persia in the 7th century.[3] The conquering Muslim rulers kept the symbol in their coinage during the early years of the caliphate, as the coins were exact replicas of the Sassanian coins.

Both elements of the symbol have a long history in the iconography of the Ancient Near East as representing either the Sun and Moon or the Moon and Venus (Morning Star) (or their divine personifications). It has been suggested that the crescent actually represents Venus,[4][5] or the Sun during an eclipse.[6] Coins with crescent and star symbols represented separately have a longer history, with possible ties to older Mesopotamian iconography. The star, or Sun, is often shown within the arc of the crescent (also called star in crescent, or star within crescent, for disambiguation of depictions of a star and a crescent side by side).[7] In numismatics in particular, the term crescent and pellet is used in cases where the star is simplified to a single dot.[8]

The combination is found comparatively rarely in late medieval and early modern heraldry. It rose to prominence with its adoption as the flag and national symbol of the Ottoman Empire and some of its administrative divisions (eyalets and vilayets) and later in the 19th-century Westernizing tanzimat (reforms). The Ottoman flag of 1844, with a white ay-yıldız (Turkish for "crescent-star") on a red background, continues in use as the flag of the Republic of Turkey, with minor modifications. Other states formerly part of the Ottoman Empire also used the symbol, including Libya (1951–1969 and after 2011), Tunisia (1831) and Algeria (1958). The same symbol was used in other national flags introduced during the 20th century, including the flags of Kazakhstan (1917), Azerbaijan (1918), Pakistan (1947), Malaysia (1948), Singapore (1959), Mauritania (1959), Azad Kashmir (1974), Uzbekistan (1991), Turkmenistan (1991) and Comoros (2001). In the latter 20th century, the star and crescent have acquired a popular interpretation as a "symbol of Islam",[1] occasionally embraced by Arab nationalism or Islamism in the 1970s to 1980s but often rejected as erroneous or unfounded by Muslim commentators in more recent times.[9] Unlike the cross, which is a symbol of Jesus' crucifixion in Christianity, there is no solid link that connects the star and crescent symbol with the concept of Islam. The connotation is widely believed to have come from the flag of the Ottoman Empire, whose prestige as an Islamic empire and caliphate led to the adoption of its state emblem as a symbol of Islam by association.

Unicode introduced a "star and crescent" character in its Miscellaneous Symbols block, at U+262A (☪).

  1. ^ a b Cite error: The named reference Glasse314 was invoked but never defined (see the help page).
  2. ^ Andrew G. Traver, From Polis to Empire, The Ancient World, c. 800 B.C.–A.D. 500, Greenwood Publishing Group, 2002, p. 257
  3. ^ "The star and crescent are common Persian symbols, being a regular feature of the borders of Sassanian dirhems." Philip Grierson, Byzantine Coins, Taylor & Francis, 1982, p118
  4. ^ Bradley Schaefer (21 December 1991). "Heavenly Signs". New Scientist: 48–51.
  5. ^ David Lance Goines (18 October 1995). "Inferential evidence for the pre-telescopic sighting of the crescent Venus".
  6. ^ This would explain cases where the inside curve of the crescent has a smaller radius of curvature than the outer, the opposite of what happens with the moon. Jay M. Pasachoff (1 February 1992). "Crescent Sun". New Scientist.
  7. ^ "There are also three cases [... viz., associated with the "Danubian Rider Religion"] where the star, figured as a radiate disc 'balancing the crescent moon', must represent Sol, balancing Luna who is represented as a crescent instead of in bust. The 'star in crescent' theme itself appears only once, on an engraved gem, accompanied by the lion and an indecipherable inscription [...] This theme is connected with the Orient and has a long history behind it in the Hittite, Babylonian, Assyrian, Sassanid and Iranian worlds. Campbell gives us valuable particulars. The heavenly bodies thus symbolized were seen as the powerful influence of cosmic fatalism guiding the destinies of men." Dumitru Tudor, Christopher Holme (trans.), Corpus Monumentorum Religionis Equitum Danuvinorum (CMRED) (1976), p. 192 (referencing Leroy A. Campbell, Mithraic Iconography and Ideology' '(1969), 93f.
  8. ^ e.g. Catalogue of the Greek coins in The British Museum (2005), p. 311 (index).
  9. ^ Cite error: The named reference Fazli2009 was invoked but never defined (see the help page).

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