Surreal humour

The style of humour in the Mighty Boosh is often described as being surreal,[1][2][3][4][5] as well as being escapist.[1][4] Co-creator Julian Barratt has commented that "We were both doing quite surreal stuff, eh...", with second co-creator Noel Fielding adding "It was quite weird wasn't it, alot weirder than the show [The Mighty Boosh] in a way...", with Barratt continuing "...but we sort of, when we first met we kind of liked each others comedy but we didn't know that it would work, we didn't know whether it was gonna cancel each other out...", with Fielding responding "Yeah, too weird to make sort of, straight...".[6] One of the characters is Bollo, a Gorilla, who speaks to all the other characters.

Surreal humour (also called surreal comedy, absurdist humour, or absurdist comedy) is a form of humour predicated on deliberate violations of causal reasoning, thus producing events and behaviors that are obviously illogical. Portrayals of surreal humour tend to involve bizarre juxtapositions, incongruity, non-sequiturs, irrational or absurd situations, and expressions of nonsense.[7]

Surreal humour grew out of surrealism, a cultural movement developed in the 20th century by French and Belgian artists, who depicted unnerving and illogical scenes while developing techniques to allow the unconscious mind to express itself.[7] The movement itself was foreshadowed by English writers in the 19th century, most notably Lewis Carroll and Edward Lear. The humour in surreal comedy arises from a subversion of audience expectations, emphasizing the ridiculousness and unlikeliness of a situation, so that amusement is founded on an unpredictability that is separate from a logical analysis of the situation.

Surreal humour is concerned with building up expectations and then knocking them down; even seemingly masterful characters with the highest standards and expectations are subverted by the unexpected, which the scene emphasizes for the viewer's amusement. Either the "goofball" or "straight" character in the scene can react with dull surprise, disdain, boredom, or detached interest, thus heightening comic tension. Characters' intentions are set up in a series of scenes significantly different from what the audience might ordinarily encounter in daily life. The unique social situations, expressed thoughts, actions, and comic lines are used to spark laughter, emotion, or surprise as to how the events occurred or unfolded, in ways sometimes favorable to other unexpectedly introduced characters.[citation needed]

Surreal humour in theater is usually about the insensitivity, paradox, absurdity, and cruelty of the modern world.[citation needed] Absurd and surrealist cinema often deals with elements of dark humour: disturbing or sinister subjects like death, disease, or warfare are treated with amusement and bitterness, creating the appearance of an intention to shock and offend.[citation needed]

  1. ^ a b Raphael, Amy (14 September 2013). "Interview A new view of the Mighty Boosh". The Guardian. Retrieved 10 September 2024.
  2. ^ Trueman, Matt4 (8 January 2014). "Noel Fielding debunks rumours of Mighty Boosh tour and movie". The Guardian. Retrieved 10 September 2024.{{cite news}}: CS1 maint: numeric names: authors list (link)
  3. ^ van Tricht, Isla (5 March 2012). "New Wave Comedy: Post-funny?". The Yorker. Archived from the original on 12 May 2012. Retrieved 22 August 2012.
  4. ^ a b Raphael, Amy (21 October 2007). "Boys from the Boosh". The Observer. Retrieved 29 March 2008.
  5. ^ Gallagher, Sophie (22 April 2015). "Getting Surreal with Noel Fielding". Honi Soit. Retrieved 3 September 2024.
  6. ^ "The History of The Mighty Boosh". Youtube. Absolute Jokes. 24 September 2019. Retrieved 4 September 2024. Ross: "And did you perform as solo acts ever did you do like stand up..." Barratt: "yeah, yeah, that's how we sort of met really on the circuit, doing stand up, yeah." Ross: "But, but was it similar to the Boosh stuff, 'cos the Boosh stuff it seems to be so much of a partnerships I can't imagine it being taken apart and being served up separately." Barratt: "We were both doing quite surreal stuff, eh..." Fielding: "It was quite weird wasn't it, alot weirder than the show in a way..." Barratt: "...but we sort of, when we first met we kind of liked each others comedy but we didn't know that it would work, we didn't know whether it was gonna cancel each other out and make...." Fielding: "Yeah, too weird to make sort of, straight..." Barratt: "...might just become geography or something else or... this sort of thing, but it worked for some reason..." With Fielding adding "We had quite a good chemistry straight away."
  7. ^ a b Stockwell, Peter (November 2016). The Language of Surrealism. Macmillan Education UK. p. 177. ISBN 9781137392190.

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