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Throat singing

Throat singing refers to several vocal practices found in different cultures worldwide.[1][2][3][4] These vocal practices are generally associated with a certain type of guttural voice that contrasts with the most common types of voices employed in singing, which are usually represented by chest (modal) and head (light, or falsetto) registers. Throat singing is often described as evoking the sensation of more than one pitch at a time, meaning that the listener perceives two or more distinct musical notes while the singer is producing a single vocalization.

Throat singing consists of a range of singing techniques that originally belonged to particular cultures and which may share sound characteristics, making them noticeable by other cultures and users of mainstream singing styles.[5][6][7][8][9]

  1. ^ Aksenov, A. N. (1973). "Tuvin Folk Music". Asian Music. 4 (2): 7–18. doi:10.2307/833827. JSTOR 833827.
  2. ^ Lindestad, P. A.; Södersten, M.; Merker, B.; Granqvist, S. (2001). "Voice source characteristics in Mongolian "throat singing" studied with high-speed imaging technique, acoustic spectra, and inverse filtering". Journal of Voice. 15 (1): 78–85. doi:10.1016/S0892-1997(01)00008-X. ISSN 0892-1997. PMID 12269637.
  3. ^ Kob, Malte; Henrich, Nathalie; Herzel, Hanspeter; Howard, David; Tokuda, Isao; Wolfe, Joe (2011-09-01). "Analysing and Understanding the Singing Voice: Recent Progress and Open Questions". Current Bioinformatics. 6 (3): 362–374. doi:10.2174/157489311796904709. ISSN 1574-8936.
  4. ^ Sundberg, Johan (2015). Die Wissenschaft von der Singstimme. Wissner-Verlag. ISBN 978-3-89639-959-5. OCLC 1001652162.
  5. ^ Story, Brad (2019-04-11), Welch, Graham F.; Howard, David M.; Nix, John (eds.), "The Vocal Tract in Singing", The Oxford Handbook of Singing, Oxford University Press, pp. 144–166, doi:10.1093/oxfordhb/9780199660773.013.012, ISBN 978-0-19-966077-3, retrieved 2021-10-01
  6. ^ Mergell, Patrick; Herzel, Hanspeter (1997). "Modelling biphonation — The role of the vocal tract". Speech Communication. 22 (2–3): 141–154. doi:10.1016/S0167-6393(97)00016-2.
  7. ^ Lindblom, B. E.; Sundberg, J. E. (1971). "Acoustical consequences of lip, tongue, jaw, and larynx movement". The Journal of the Acoustical Society of America. 50 (4): 1166–1179. Bibcode:1971ASAJ...50.1166L. doi:10.1121/1.1912750. ISSN 0001-4966. PMID 5117649.
  8. ^ Fuks, L, B Hammarberg, J Sundberg (1998). "A self-sustained vocal-ventricular phonation mode: acoustical, aerodynamic and glottographic evidences". KTH TMH-QPSR: 49–59.{{cite journal}}: CS1 maint: multiple names: authors list (link)
  9. ^ Edmondson, Jerold A.; Esling, John H. (2006). "The valves of the throat and their functioning in tone, vocal register and stress: laryngoscopic case studies". Phonology. 23 (2): 157–191. doi:10.1017/S095267570600087X. ISSN 0952-6757. S2CID 62531440.

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