Ulysses (novel)

Ulysses

First edition of Ulysses by James Joyce, published by Paris-Shakespeare, 1922. The colour of the cover was meant to match the blue of the Greek flag.[1][2]
Author	James Joyce
Language	English
Genre	Modernist novel
Set in	Dublin, 16–17 June 1904
Publisher	Shakespeare and Company
Publication date	2 February 1922
Media type	Print: hardback
Pages	732
Dewey Decimal	823.912
LC Class	PR6019.O8 U4 1922
Preceded by	A Portrait of the Artist as a Young Man
Text	Ulysses (novel) at Wikisource

Ulysses is a modernist novel by the Irish writer James Joyce. Partially serialized in the American journal The Little Review from March 1918 to December 1920, the entire work was published in Paris by Sylvia Beach on 2 February 1922, Joyce's fortieth birthday. It is considered one of the most important works of modernist literature^[3] and has been called "a demonstration and summation of the entire movement".^[4]

The novel chronicles the experiences of three Dubliners over the course of a single day, 16 June 1904, which fans of the novel now celebrate as Bloomsday. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem The Odyssey, and the novel establishes a series of parallels between Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus. There are also correspondences with Shakespeare's Hamlet and with other literary and mythological figures, including Jesus, Elijah, Moses, Dante, and Don Giovanni.^[5] Such themes as antisemitism, human sexuality, British rule in Ireland, Catholicism, and Irish nationalism are treated in the context of early 20th-century Dublin. The novel is highly allusive and written in a variety of styles.

Artist and writer Djuna Barnes quoted Joyce as saying, "The pity is . . . the public will demand and find a moral in my book—or worse they may take it in some more serious way, and on the honour of a gentleman, there is not one single serious line in it. ... In Ulysses I have recorded, simultaneously, what a man says, sees, thinks, and what such seeing, thinking, saying does, to what you Freudians call the subconscious."^[6]

According to the writer Declan Kiberd, "Before Joyce, no writer of fiction had so foregrounded the process of thinking".^[7] The novel's stream of consciousness technique, careful structuring, and experimental prose—replete with puns, parodies, epiphanies, and allusions—as well as its rich characterisation and broad humour have led it to be regarded as one of the greatest literary works. Since its publication, the book has attracted controversy and scrutiny, ranging from a 1921 obscenity trial in the United States to protracted disputes about the authoritative version of the text.